"Factory Girl" – 2:12
A terrific melody that must have sounded classic the moment it came off Keith's guitar. A neat, old timey arrangement with minimal percussion (including the return of Rocky Dijon!), some mandolin courtesy of Dave Mason, and viola care of Rick Grech.
So the question that keeps popping up in my head: why do these tunes sound so good, while the band's previous attempts at blues sound so bad? Part of the answer must be that I am partial to the more traditional arrangements they used on this album over the Chicago style the Stones used on their first few albums. Another part of the answer is surely Mick, who sounded so tentative on those early tracks and so self-assured on these. Compare his slurring delivery on "Factory Girl" with his earlier "Little Red Rooster":
The band also sounds more confident. But I think it's Mick that really gives authority to these songs on this album.
Wednesday, June 11, 2008